Alex Katz Self Portrait

I like to make an image that it is so simple you cant avoid it, and so complicated you can’t figure it out

Alex Katz

Front of the face
The Work
Artist History

Poetry and Self-Portrait Reflection

For my second quarter of portfolio art I decided to do a lengthy project as well as some smaller pieces. I typically like to do large projects, but at the end of the quarter I decided to go back to my roots of poetry. As 2018 came to a close I decided to wrap up the year by finishing some pieces I had started but never gave thought to. New years are about new beginnings and I wanted to start fresh and be ready to learn something new in the third quarter.

I went on a trip to the Colby College Museum of Art and discovered something about myself as an artist. I don’t like museums! However, even though I didn’t seem to connect with the traditional art at Colby, I found myself to really enjoy the work of Alex Katz. Katz’s paintings people in a way that shows both the front and back of them, and he also depicts them in social settings. I found that my friends and I did a small impromptu photo shoot with some of his work, which is what I added to the back of my portrait. I my charcoal self portrait I disregarded technical drawing skills. I want my viewer to see that you don’t need drawing skills if that isn’t where you want to focus your time. I looked at myself in the mirror and simply drew what I saw, but more importantly I drew what I felt and what I think many people feel. I drew shadows under my eyes because I’m tired not only of sleep deprivation, but also of the mundane routine of a typical nine to five. The image I created of myself reflects me and also what I see in the world where people fall into a routine and are too busy working to get out of the rut. My poem “Vanilla” connects directly to this drawing because the theme is about the draining lifestyle that is the American way. I feel that this is one work with two pieces and I love that about it. I want my viewer to see the image and feel the words. I also want to mention the feedback I got from the lovely, one and only Jasmine Cayford. Jasmine is a friend I met through writing and I highly value her opinion of my work. It is so ironic that Jasmine said what she did about my poem because Mr. Demello had just told me that once your artwork is out into the world, the author is dead because their intent is lost, especially with poetry. My intent with the poem “Vanilla” was about challenging the idea of a mundane rushing society that doesn’t make time for enjoyment. I wanted the viewer to see that there is a cycle when it comes to us teaching our children to get on the hampster wheel and run until our hearts burst. However, my intent died when Jasmine commented on my poem because she took it as something about white culture. Jasmine thought that vanilla was referring to white people and how they produce white culture in a cycle. I found this extremely interesting because that was not my intent at all. I am interested to see other interpretation of this poem.

My other poems are separate pieces but I wanted to add them to this collection because they are part of me as an artist wrapping up unfinished works. “Synthetic Smiles” is about people teaching kids to be themselves when the parents don’t follow their own advice. I find that people often are hypocritical when it comes to life advice, and I wanted to put that into perspective for my viewer. Café Rendezvous is about how technology has changed the way people see their self worth. I depicted the girl in the poem to only see her reality through a screen, while someone that loves her sees much more. At the end of the poem the boy gives her help to find happiness but she made the decision herself to start seeing the world without the constraints of social media. I’ve personally felt the toxicity that that social can bring to people, especially about what should be valued. Rather than appreciating life in the moment, people now tend to try and capture moments so they can show it on social media. That being said, social media is a great tool, but I want my viewer to understand the repercussions of the misuse of social media.  “Cliché Goodbye” was a prompt I got last year in creative writing. The prompt was to write about something people say instead of “I don’t love you anymore”. I chose the cliché of “It’s not you it’s me” because I feel so many people have heard this during a breakup. This poem isn’t personal, however, I wanted to connect to the majority and I accomplished that by using a cliché goodbye story. I enjoyed working on these pieces this quarter and learned that there is no time limit to unfinished pieces and life can be put back into any work of art.

Cliché Goodbye

Photograph by Oxford Dictionay Blog

“It’s not you it’s me”

Is written on your lips like sloppy poetry

Recited this time to unlock our love and throw away the key

My head is messy

At the thought of you with someone new

The temperature’s dropping

Your tone turns my bones to stones

I hear the quiet popping

Of tiny icles chilling my bones

I feel sadness, a sort of creeping cold

It’s coming on just like you did

Slowly

I need to run but I’m afraid of slipping

Into loneliness

The thought of you is whipping

Enticing me through the wind

Like an old friend I can no longer see

Because you said “It’s not you it’s me”

Vanilla

Photograph by Women Are Boring

I always see little girls getting ice cream

And whenever I do, I want to scream

Because of what they order

The flavor they want creates a border

Everyday

Not just one day

But every single day

I hear vanilla people saying things to their vanilla selves

They read vanilla books from vanilla shelves

They have vanilla husbands and vanilla wives

They have vanilla kids who live vanilla lives

The vanilla kids order vanilla flavors

I see her blonde vanilla hair and feel bad for her

She doesn’t know the difference between vanilla and rocky road

She doesn’t have more than one road to travel on

She’s young, but she’s too far gone

The world is a great place to be

But all too often vanilla is all we see

The windows of our vanilla cars fog up and we go into cruise control

We lose control

The vanilla police are on parole

Getting nowhere fast

Getting nowhere at all

There’s not even a place to fall

There’s just flat

Like how we used to think the earth was

Until some not so vanilla guy told us to believe him

So like sheep we breathed in

Together like a herd

Though we’re together we’re still unheard

People always say to follow your dream

Then turn around and keep up with the Jone’s

It makes me want to scream

Pick a side please

How can you possibly be giving vanilla advice to someone who is on a rocky road

Life is a rocky road

But only of you want it to be

But what’s the point of living if it’s vanilla

If all that’s in your future is bullet points,

And vanilla movement with vanilla joints

Why not just take a bullet now?

Café Rendezvous

A face with no name

Café Rendezvous
Photograph by Stock Media Seller

Tanning booth legs exposed in her too tight dress

Hair is tidy, she can’t be a mess

She looks down at the tiny glowing screen

The pictures pick her up with dopamine

As her eyes stay down glued to the scrolling scenes

Through the glass door she walks

She struts to a window seat for good lighting while she talks

Her mouth is shut not a word is leaking

Her fingers are the ones that do the speaking

Fake hearts on screens is what she looks for, she doesn’t know it’s not what she’s truly seeking

She was just told by the people  

That the only thing worth caring about is pictures without personality

He serves her coffee with cinnamon just the way she likes it

He memorized her order since she moved here

He can’t get her face out of his mind

He thinks about her all the time

But he never gets to see her eyes

They’re always speaking to the screen

He leaves a note next to the cup

But she’s too preoccupied with her fake hearts to pick it up

He walks away and waits until tomorrow

Hoping the next day he can help her with her fake sorrows

He knows she has beauty deeper than her darkest tan

He just wants to help her take a stand

He sees the screen drowning her like quicksand

She waits for the hearts to appear

But they don’t and her hope disappears

She glances down at her note and sees a smile

Little does she know it’s been there for a while

She gazes at the counter and sees a familiar face

A face with no name

She wants to talk to him but her anxiety takes her away

The next day she walks through the glass again

This time with less authority

More sadness and looking more lonely

He brings coffee to the girl with the screen

Except this time it’s not there

The eyes have finally arrived

He can’t get over the ocean of tears he sees being held back by pride

He offers a smile

The tears come spilling out like papers trapped in a dusty file

She sees her reflection in his eyes

The answer is now clearer

She doesn’t need fake hearts

All she needs is to smile in the mirror

“Simply Not Simple” Slam Poem

Link to full Slam Youtube Video: https://www.youtube.com/watch?v=1LxgW8wOIJo&t=2s
Empathetic Energies

When a lifetime is a blink how can you be content standing until your eyes dry out?

Savannha Brown

I don’t know what depression feels like

I picture it as a twisting and turning I picture it as a twisting and turning

An intermininet strife

Like a shower of bullets

Perhaps a raining parade of bad days

Or a feeling of this simply couldn’t can’t shouldn’t

Be happening to me

Why to me?

I’d rather be free

That was my first impression

Of the meaning of the word depression

The final answer to my question

What else could it mean

Other than a deep recession?

The closest distance between two people is a story

After making some friends I found a common allegory

People are sad

It might sound bad but people are just so sad

It most likely stems from something like a problem with a dad

Or a situation that was out control

Something that made them mad

Time and time again until it just turned sad

Or something like a comrade turning on them

But all these dead flowers come from the same stem

I’ve learned that these are just the roots

To the beginning of the end

The end

What a time of uncertainty

Certainly it will come but when?

When the time is right

Is the answer from some

When you lose the next fight

The end could be the outcome

But giving meaning to why we go

Has a way of working the world into ebbs and flows

A network of coincidences has crystallized

Into a spider web of truths and lies

Lies

Are all they see through the kaleidoscope of what the people feed

Their children

People wonder why they always seem to give in

And die  

A toy consisting of tiny mirrors and pieces of colored paper

Is stolen from their children at a young age

Logic is an eraser

Forcing them to foster rage

A child raising a demon

Running mile after mile with this thing they have to feed

It grows larger and darker

And eventually bites the hand that feeds them

Another petal falling from the stem

Observation of body language is very helpful

The image of a person who never sleeps is typical

Messy hair don’t care right?

T-shirt slogans don’t really mean anything

But have you ever asked the girl with the t-shirt slogan how she’s doing?

You’re in class with her

She laughs everything off like she’s the happy-go-lucky poster-child

But you don’t know her soul is screaming because she feels like an exile

She is beaten everyday but all you see is a tired smile

Tired because how can she have time for sleep

When all she hears is the deafening sound of her own weeps

She’s closing her eyes in class when the teacher points to her seat

And scolds her for not paying attention

Assigning yet another detention

The distance is short but still there

You don’t know her story so you don’t care

Her petals are dying but no one is aware

I don’t know all but I know what it feels like to fall

Because heartbreak has a way of getting the best of us all

It’s called heartbreak because it feels like someone is taking out your soul

And stomping on it to later be replaced with a breath of stone cold

After the feeling of falling

We have a hard time loving again

Even when it’s our true soul mate calling

Salt rains down on us to heal the wounds of the past

But salt hurts when it falls into cuts fast

Especially when we’re the ones putting the slits there

We build walls around our soul to keep out the heartbreak

But what we forget to do is build a gate

We foster hate

Because we’re afraid that love will tear us apart

That it will be the end

Our fate

More petals dying everyday

I watch the boy in the window through a glass frame

I see blue eyes filled to the brim with pain

I want to ask him how his soul is doing but I’m too afraid

Because I know what depression looks like

His lips can’t take anymore talking

He just wants to get up and start walking

Away

But he can’t because he can’t find it inside of him to leave the glass frame

Because it’s bulletproof and he’s too afraid

That love will tear me apart

He feels like an anchor tied to the ankle of everyone who knows his story

He doesn’t want the pity or the glory

He wants to be alone to deal with it himself

Along with blue eyes I see dead petals drying on a shelf

Rejection never feels good I’ll tell you

But what feels worse is when it’s for a cause you can’t help

It feels like slipping in a glass shoe you know is going to break

Because once you take the first step in trying to help

It comes back to bite you like snake

And the poison doesn’t immediately kill you

Death comes to mind for a while and you don’t do anything

Why would you try to help yourself when you have nothing to live for

Why not drown in the poison of the world

Everyone else is fighting their own serpents  

They don’t have time to save you

They have to worry about breaking their own glass shoes

Sometimes I look over my shoulder at my people

Who are running from the devil

And wonder how their souls are doing

If they’re running towards their steeples

I’m trapped in my own glass frame

But I built a gate to let out the hate

Now I ask my people to know if they’re at peace or in pain

I don’t want their petals to die on a window sill in vain

With their hearts afraid of love and there minds living enchained

I’ve started to gather a different view of what it means to be depressed

I see it more now that I know what I looks like

It can be beautiful on the outside

But once you close the distance between you and someone who’s opressed

When they tell you their story

That’s when you find out you should have been praising them all this time

With open arms and glory

I don’t know what depression feels like

But I bet it goes something like not eating for an entire weekend

Rather staying in bed for the season

Never finding the strength or having a reason

To live

Because living is hard work and people don’t have the time to lend a hand

They have their own demons knocking down their doors filling their mouths with sand

But depression must feel worse than that

It must feel like falling down floor after floor

And never really reaching anything

A bottomless pit of darkness and once in awhile

If you’re lucky you’ll meet a friendly stranger who wears a smile

But then they’ll keep walking because the kaleidoscope was taken from them as a child

The walls are built higher because people are not something to be relied on

They are all pawns on the chessboard called a universe

And it’s simply not simple

To get better sometimes we have to get worse

Simply Not Simple Reflection

I wrote “Simply Not Simple” last spring for my creative writing class, which was work-shopped by my peers and teacher, Mrs. Ellis. I wrote this poem because I love slam poetry and I wanted to write about something that I don’t have a personal experience with. I have never had depression, but at the time I wrote this poem, I was close with someone who had experienced it. I wanted to shed light on a dark part of society, as well as give a helping hand to people who are dealing with depression. I used references to children in “Simply Not Simple” because depression is often overlooked at a young age. People say things like “It’s just a phase, ” but sometimes people are struggling with deep eternal strife.

After writing this poem, I performed it at a talent show the following summer, and was astounded at the positive feedback I received. After my performance a girl approached me and said she struggled with depression. I talked to her for hours about how poetry has helped her recover. After seeing the impact my poem had on an audience, I decided to create a digital platform to expose the importance of recognizing depression. My video inspiration came from Savannah Brown, a poet who creates videos to portray her work in a powerful way. In Savannah’s poem, “The Madness of Two,” she used a projector to play clips of old horror movies while she sat in front of the screen.

I learned how to use a portable recorder when I recorded my poem, and I started by putting the audio into Audacity. I learned that Audacity can be difficult, so I switched to Final Cut, which was much more user friendly. I found tons of video clips to go along with my poem that I put together for the projector. After my video was complete with edits and transitions, I filmed it with Eric Wescott, my film assistant, in a small meeting room with a white wall perfect for this project.

I used blue lighting to set a tone for the filming room to appeal to viewers’ emotion of sadness. I sat in front of the projector with my notebook and plant. The notebook symbolized myself writing the poem and the plant was used as wabi sabi. I had tried to grow that specific type of plant for months, with no success, but finally my grandmother started a new plant for me, and it’s still alive today. The healthy plant contrasted the topic of depression, but also showed that growth is possible even after an all time low. Just like my grandmother helping me grow the plant, I want “Simply Not Simple” to help people grow away from depression. I wore a shirt that said Zara Woman on it because Zara is a trendy, fast fashion company. This “fast fashion” symbolization is represented in my poem because depression is a heavy topic to comprehend in a short video. I added credits at the end to my amazing advisers, Mrs. Ellis and Mr. Demello, for making this video possible. I learned a lot from making this first video and hope to continue improving my digital artwork.